The Vampire conspiracy – Why Vampires have become so popular

The last ten years has seen an incredible resurgence in the popularity of Vampire stories. Not since the late 19^th Century and the publication of Bram Stokers Dracula in 1897 have they been such a feature of life. The question is why? The answer lies in one of the fundamental features of the Vampire in myth and legend, and drives to the heart of one of the biggest conspiracies of the modern age. At its core the Vampire is a metaphor for lasciviousness, the easy elegance, the smouldering eyes, the laissez faire attitude to common decency and morals and of course the bite, the anticipation of the touch of lips on the delicate flesh of an exposed neck, the sharp, intoxicating pain of the first bite, the delirious sensation of lifes fluid being drained to the point of death and rebirth are deeply erotic. This is key to their popularity as there has been a hidden agenda activated through the media in the form of music, film and literature to create a diversion in public attention from the reality of modern life by instilling an increasing interest in sexuality that would have been highly questionable in earlier times.

So, where is this drive coming from, and why is it happening. There has long been a suspicion amongst alternative thinkers that the global elite have an aim of creating a single unified global community effectively enslaving the masses to the benefit of the elite. In order to achieve this enslavement there is a need to create a mindset amongst the vast bulk of the population that allows for willing acceptance of that slavery. One of the clearest links from a sexual perspective is the popularisation of the BDSM lifestyle. Within that lifestyle there is a subset that engages in dominance and submission and that is the start point from which the elite seek to manage peoples minds, but a fondness for kink is not enough on its own. Alongside this there is a need to implant the suggestion that the possibility exists of a willing but involuntary submission to a master so powerful that dissension is impossible. What better way of implanting that message than by utilising perhaps the ultimate defiler of virtue, the beast, the master, the dominant force that is the Vampire.

Taking a start point from the mesmeric presence of Stokers eponymous Count and his ability to corrupt absolutely the innocents around him, the elite have been behind the funding and development of the Vampire legend through the early Hollywood films of the golden age of cinema with Nosferatu, to the Hammer Horror films of the 1950's and '60's the heyday of Christopher Lees near perfect portrayal, to the modern interpretations of the Twilight Saga. There can be little doubt that these films demonstrate a progression in the level of seduction, the level of control exerted by the Vampire, nor that the elite, through established links with the major media outlets have a means to effect this conspiracy. What is interesting is that we are now seeing a change in pace in the Vampire epic with increasing brutal in Thirty Days of Night and the Russian Nightwatch, Daywatch, Twilightwatch trilogy. What this suggests is that the process of implantation of the submissive aspect of the plan is nearing completion and the next stage has begun. That next stage is to be the acceptance of the brutal, controlling police state that will be part of the New World Order, and the utter submission to the whims of the Elite, where each persons life or death lies in the hands of another as surely as the victim trapped in Draculas hypnotising glare.